This is a laundry room. Laundry room!! The friend with whom I drove to the middle of the Earth for that very special faucet is nearing the finish line. The cabinet doors are yet to be hung but the room is coming together and beautifully. The counters are soapstone as is that pretty farmhouse sink. Best part is this is the back of a 3rd car garage bay. The front half still left with plenty of room to store bikes and scooters. So smart.
Photos of my laundry room would break the Internet so I will spare you all but suffice it to say I am green with envy. This is the perfect landing spot for everything that collects throughout the house and drives one batty.
I finally bit the bullet and bought the myrtle topiaries I have been eyeing at Terrain for the past couple of months. I am hoping this is not one of those sad topiary stories. I moved them outside for some sun and watering yesterday. It’s been two weeks . . . longer than I thought to keep them alive so pretty darn proud.
I recently requested a catalog from Forbes and Lomax and these light switches will put all your others to shame. Designer light switches – does it get any better than that?
The air is warming a bit and it’s time to start thinking about outside, namely patio trees. I have some ideas for quick shade. More to come soon . . .
In the years before Danielle Rollins filed for divorce and left Boxwood, she hired Miles Redd to work his magic with the interiors. You may recognize some of these pictures as they are well-loved and pinned!
This is the entry hall. This is probably one of those spaces that you have to see in person to really appreciate the textures and the color. Redd covered the matching console tables in a persimmon-colored velvet which is probably beautiful in person.
Miles told Veranda that he always longed to decorate Boxwood, it is his favorite house in Atlanta. Clearly he is not alone! He kept with his signature style by infusing bursts of saturated color throughout but said he called upon the 1950s and that glamorous time to inspire his design.
“To me, there’s a ’50s sensibility to the decorating, with nods to Babe Paley, Brooke Astor, and the Duchess of Windsor,” says Redd, who grew up in Atlanta and had ogled Boxwood since childhood. “We were definitely looking back in time to look forward.”
Miles and Danielle were a perfect pairing. Danielle has her own beautiful sense of interior style and is not afraid of color. This butler’s pantry is glamour head to toe and a space that has made its way around the Internet and back again. The zodiac ceiling is a nod to Grand Central Station’s and then there’s all that brass. Miles Redd was doing brass when most of us were still eschewing it as sooo 1980s.
Danielle wanted a room just like Redd’s at his own house – a tented room and that’s what she got but with a slight modification. Danielle was very worried that her three young children would make a mess of this beautiful Bennison striped fabric and probably rightfully so. Redd laminated the fabric and no one is the wiser.
This may be my favorite room in the house. The turquoise walls and rich velvety brown is such a pretty combination. And, no, that’s not paint on the walls it’s satin. When describing this room, Miles told Town and Country that satin when stretched is not ballgown shiny but matte and in the evenings light bounces off the walls in a way that you cannot get with paint.
Rollins reportedly spent $4 million on renovations and decorating. I wonder how it wasn’t more, quite honestly!
As much as I love the interiors, I am still partial to the exteriors but before I write a bit more about John Howard and his talents, next I’ll take you through Danielle’s most recent project – another house in Atlanta, this time smaller but just as beautiful in its own way. Part III to come.
This past Monday we handed over the rancher keys to the new owners and promptly left town for Charleston. We arrived just as the azaleas and cherries were blooming. The air was warm and the mosquitos were few and far between. I’ll take a March day in Charleston any day!
We stayed in the historic district on Meeting Street and a short walk away from some of the prettiest houses I have seen in my travels. The Charleston Single house was a fast favorite. The Charleston Single is similar to the Philadelphia Row House both with their long and narrow footprints, but the Charleston Single sets itself apart with double porches that run perpendicular to the street. The street-side door or privacy door opens onto the porch or piazza with the front door to the house off this piazza. Before the advent of cars, the piazzas mostly looked out onto green space. Now those small lawns and gardens are sometimes driveways. Still, just as charming.
I left my nicer camera in Pennsylvania but I was able to take a couple of pictures with my phone.
This house had everything going for it. Beautiful brick courtyard, iron gate and gas lamps. Gorgeous!
One of the grander houses on the street.
A closer look at the Charleston Single’s outstanding feature – the piazza.
So many pretty pretty details.
Narrow brick paths
and lots of color.
I spotted this house on Church St. I drove by twice just to make sure it was the same one. And, sure enough it was the house featured in Southern Living’s March 2014 edition and again in March 2015 (though just the door in that issue!) and it is every bit as pretty in person. The owner is an East Coast transplant who has her own blog – Laquered Life.
You can see the privacy door off the street leads onto the porch with the front door into the house painted the same brilliant blue.
Come on in!
Original floors. Gorgeous. The house was built circa 1780 and is known as the Russell-Dehon Tenement. The house was completely restored beginning in 2011 and won a Charleston preservation award in 2013.
And, the house as photographed for their feature in Southern Living.
This house would be hard to leave. The location is wonderful as it is situated on the quieter part of Church Street. The water is a block away and the best parts of the city are within walking distance.
I was hoping to bring more of Charleston home in the way of antiques but there just wasn’t enough time but we did stop at one local salvage and antique store on our way out of town. Flat Stanley suffered an unfortunate fate.
This fixture was tempting but I had 10 minutes to explore 4000 square feet so had to move on quickly.
If I were a collector, I would probably collect doors. This would be a good starting point.
We left empty-handed but I am determined to bring a bit of Charleston back home and into the garden.
I nearly put some Spanish moss into a baggie to bring home. I read that it has been found as far north as Delaware but I would need to see that to believe it. Spanish moss grows on Live Oaks whose branches are often covered in Resurrection Ferns. Our Middleton Plantation carriage driver explained that Resurrection Ferns will brown and shrivel in dryer times and with the first rain restore themselves to the green, vibrant plant you see below.
No Spanish moss, but I am armed with Charleston garden, gate and courtyard pictures that will hopefully iinspire our garden transformation this spring and summer. Stay tuned!
I have a knack for choosing houses with shutter problems. This house is no exception. Wood shutters are an investment and can add quite a bit of curb appeal to a house, but it is so important to get the proportions and style right.
This is a combination found quite often on the older houses in Wilmington. For safety and weather, the lower shutters are paneled while the uppers are louvered. The shutters on this house look operational and are hung correctly so that when closed they cover the window proportionally.
Often the upper, louvered shuttered referred to as “blinds” were a dark color for daytime napping. The bottom shutters were lighter in color to allow for the candlelit interiors to appear brighter at night.
I love the different color shutters, especially on the stone houses. Here is another example.
More typically people choose a single color shutter. This house below features historically accurate shutters with the solid paneled shutters on the lowers and louvered on the uppers. The shutter hardware is in place but not a standout feature. A classic, timeless look.
Again, the louvered, paneled combination. If you look closely you can see the lower shutters have a decorative candle cut-out. This was a very popular feature starting in 1915 that lasted well into the 1930s.
The shutters on our own house were installed in the 1930s and followed the trends of the time, though more typical would have been solid panel top and bottom versus the combination panel-louvered. We know the shutters are original as they were drawn out with the tree cut-out detail on the architect’s plans.
The S-style shutter dogs were mass produced during the 1930s and are historically appropriate for houses built during this time and afterwards.
Unfortunately for our wallets, we will have to replace nearly all the shutters on the house top, bottom, front, back and more to come with the house expanding.
When I do replace the shutters and hardware there are a couple of things I will keep in mind as we have become so accustomed to seeing improperly sized and fitted shutters on houses these days. The shutters should fill the entire window when closed. They should also be hung directly on top of the window casing with hinges. The shutters should never ever by hung to the side as became the norm once vinyl siding and shutters hit the market in the 1950s.
This is a good example of what to do and not do.
The shutter to the left is mounted properly while the shutter to the right is not.
Here is another common shutter hanging mistake. According to the purists, triple windows should not have shutters as if they were to be shut they would not even come close to covering the window! This practice is pretty standard however and some people would argue that the lower shutters on this house add to the curb appeal. The upper window shutters fit perfectly and absolutely add to the charm of this house.
Another example of a gorgeous house with some shutter issues. The only shutters that would fit to close would be those hung on the center window on the second story. The rest of the windows should not have shutters.
Our 1970s rancher pre-paint with a very common shutter issue. The shutters are hung to the side of the window frame and are not quite the right size. This means they lie flat against the siding and there are no pleasing shadows. These louvered shutters are also very flat. There are better vinyl shutters out there with more realistic louvres. Even if you choose vinyl they can still be hung correctly and with realistic hardware.
Off to the paint store! I have decided to tackle the knotty pine in the basement myself. I have a feeling I will regret that about 2 hours from now.